Meditation on The Return of the Prodigal

Return of the Prodigal - Notes
Jennie Burke

The Return of the Prodigal: Rembrandt

Return of the Prodigal, a Reflection.
Rev Kelvin Burke
 
 
 

JB – ‘Rembrandt’

Return of the prodigal, painted by Rembrandt in 1669.  Probably one of his last paintings.
It is Large 244cm (8ft) x 183cm (6ft). It is currently (2025) hanging in the Hermitage Museum in St. Petersburg, Russia.

The painting shows the prodigal being welcomed home by his father to one side the elder brother looks on in the background our other people who are unknown. One is possibly the mother in the shadows at the back. It is believed the prodigal himself is a self-portrait by the artist.

Enjoy the colours and shapes. The artist uses a small palette of browns, ochres and white with golden tints.

Notice the younger son: peaceful and restful in the embrace of his father. The son's garments are soiled and worn. His sandals broken and useless,  one is detached. Looking at his feet you might think about his journey not Just yes homecoming but his roving. Perhaps play with the hardships of your journey. Maybe you have been on similar wanderings in the past.
His head and beard are shaven like that of someone who has a disease or has lice or a convict.
The son is aware only of the presence of his father despite the onlookers. The father holds him to his breast with specific embrace with his hands lead on his shoulders. There is a heart-shaped centre to the father and son’s embrace. The Father’s touch is light like the yoke that Jesus describes in Matt 11:28-30.

The son appears to be peace. John 14:27, ‘Peace that the world cannot give, my peace I give to you.’ Shalom.

It is a precious place to be close to the father's heart – Isaiah 40:11.

Notice hands are not a pair. The left hand is a masculine hand, the hand of a labourer. The right hand is more delicate with long fingers, a narrow wrist and manicured nails.  They are not necessarily masculine and feminine - they could be a labourer and vocational worker, like a medic or a lawyer or white-collar worker. Some consider the hands could represent the first world and the developing world coming together on the shoulders of the son.

If you are reflecting on this picture as part of prayer time think about which person you identify with. Which character resembles your feelings today?

Exercise: The Return of the Prodigal

Read Luke 15:11-32

Exercise 1  Praying with your imagination.

Imagine yourself in the presence of the father.
Recognise the senses: the sight, the sound, the smell, the taste  - each sense has connections with our experience of God, our inner self, our soul being nourished.
Imagine the tactile sense - God's touch….
Mystery of his glorious majesty brilliant light inaccessible and yet equally present in the love between a parent and child.
Imagine words Abba on his lips - on your lips (Romans 8:15)

Exercise 2  Praying with your imagination.

Imagine what father and son may be saying to each other.
Look at the other characters in the scene and imagine yourself there in their presence.
Hear what the characters are saying to you, look around at the other characters, observing their reactions.   Do you identify with any of them?
After a while looking and imagining rest in the peace that is seen on the son’s face and the peace conveyed by the father's embrace.


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The ‘Ever-present’ God

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The ‘Withness’ of God